4
The Gunpowder Tax
2m Episode 42026-03-23
River of PowderHistorical Drama
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Episode Script
INT. COMPANY OUTPOST - CROWe’S QUARTERS - NIGHT
A single oil lamp. Rain ticks on a tin cup. CAPT. SILAS CROWE scrapes Bengal mud from a boot with a bayonet tip.
ASHA MUKHERJEE slips in, soaked under a shawl, clutching a folded ledger page like contraband.
ASHA
They don’t steal powder. They tax it twice.
She lays the page on Crowe’s trunk. Columns of figures. Red ink. A wax smear where a seal was torn away.
CROWE
(reading)
“Saltpetre—issued. Saltpetre—lost to damp.” Same week.
ASHA
And the “damp” is always paid out. To men who never lift a barrel.
A knock. Immediate, sharp. Crowe palms the page under his coat.
LT. TOM KESTREL enters, wet-eyed from the rain, trying for authority and missing.
KESTREL
Captain. Sentries say the depot lanterns are being covered. Again.
CROWE
They’re afraid of moths?
KESTREL
They’re afraid of eyes.
Asha watches Kestrel. Crowe watches the door.
CROWE
(to Kestrel)
Get me three men who can walk quiet and won’t faint at paper.
KESTREL
Paper?
CROWE
Powder’s useless without it.
Asha pulls the ledger page back out—open defiance now.
ASHA
If you don’t see the storehouse, you’ll only ever fire what they allow.
Kestrel hesitates—then nods once, hard.
KESTREL
Midnight, then.
CROWE
Midnight.
EXT. COMPANY POWDER DEPOT - RIVERBANK - NIGHT
Monsoon mist. The river breathes. The depot squats like a dark crate, guarded by two half-asleep sepoys beneath an awning.
Crowe, Kestrel, Asha, and THREE MISFITS from Crowe’s gun crew—WILKINS (one eye), RAMU (bare feet), and O’BRIEN (shaking hands)—move through grass slick as oil.
Crowe signals: WAIT.
Asha whispers, translating the distant guards’ mutter.
ASHA
They’re counting the “losses” aloud. Like a prayer.
Crowe slides a small pouch of coins to Ramu.
CROWE
Softly.
Ramu pads forward, vanishes into the mist. A moment—then one guard’s lantern dips, snuffed. The other guard turns—
Kestrel’s hand clamps over his mouth. O’Brien’s bayonet hovers. The guard goes limp, lowered, not dropped.
Kestrel looks at Crowe: We’re doing this.
Crowe nods: We are.
They slip to the depot door. A heavy Company padlock.
Wilkins produces a bent nail and a strip of wire like he’s been born with them.
WILKINS
I was a locksmith in Bristol. Before His Majesty improved my prospects.
The lock CLICKS.
Inside—blackness, dense with saltpetre tang. Powder barrels stacked. But the stacks are wrong: empty spaces where full casks should be.
Asha lifts the lantern just enough to read chalk marks on the beams.
ASHA
“ISSUED—FOURTEEN.” But there are… nine.
O’Brien touches an empty ring stain on the floor.
O’BRIEN
They moved ’em recent. You can smell the roll.
Crowe finds a ledger book on a desk—Company stamp on the cover. He flips—numbers, signatures, then a page with a LIST of “DAMP LOSSES” and payments.
CROWE
There’s your war. In ink.
Kestrel leans in, sees a familiar signature. He stiffens.
KESTREL
That’s… headquarters.
Crowe tears out the incriminating page—clean, precise. He hands it to Asha.
CROWE
Hide it where men don’t look.
ASHA
Where?
Crowe taps his own chest, then points to hers.
CROWE
In language.
EXT. DEPOT - RIVERBANK - CONTINUOUS
They slip back into mist. But a HORSE SNORTS nearby. A COMPANY RIDER silhouette, lantern swinging—too close.
Crowe freezes the group.
CROWE
Down.
They crouch in mud. The rider’s lantern passes over their boots—misses by inches.
Asha’s breath is controlled. Kestrel’s is not.
The rider moves on.
Crowe waits until darkness returns—then motions them away, fast, silent.
INT. COMPANY OUTPOST - GUN SHED - PRE-DAWN
A leaking roof. A cannon wheel half-rotted. The misfits gather as if for punishment.
Crowe lays the torn ledger page on an upturned crate. Asha stands beside him, guarding the words.
Kestrel watches the door, jaw tight.
CROWE
This paper will get us hanged if it breathes in the wrong room.
O’Brien’s hands still tremble, but his eyes are steady.
O’BRIEN
Then we don’t let it breathe.
Ramu spits mud and smiles like it’s a vow.
RAMU
Brotherhood, then. Not Company.
Wilkins wipes his one good eye.
WILKINS
What do we call it, Captain?
Crowe looks at each of them—men the Empire forgot, now holding its seam.
CROWE
Nothing. Names travel.
He takes a strip of oily rag, wraps the page tight, and hands it to Asha.
CROWE (CONT'D)
If I fall, you run it to whoever still knows shame.
Asha tucks it inside her waistband, beneath the shawl, as if she’s sheathing a knife.
ASHA
And if I fall?
Crowe glances to Kestrel. A beat—then Kestrel steps forward, surprising himself.
KESTREL
Then I run.
Crowe’s stare softens—just a fraction.
CROWE
Good.
Outside, the first pale light. Inside, a quiet pact hardens like powder in a dry barrel.
FADE OUT.